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<channel>
 <title>True To You - News</title>
 <link>http://true-to-you.net/taxonomy/term/3/all</link>
 <description></description>
 <language>en</language>
<item>
 <title>Morrissey News</title>
 <link>http://true-to-you.net/morrissey_news_information</link>
 <description>&lt;div style=&quot;float:right; clear:left;&quot;&gt;
&lt;img src=&quot;/files/pictures/jed_and_morrissey_1.jpg&quot; style=&quot;margin-top:1em; margin-left:1em; margin-bottom:1em;&quot; alt=&quot;Jed Weitzman And Morrissey (1)&quot;/&gt;&lt;br /&gt;
&lt;img src=&quot;/files/pictures/morrissey_rock_never_dies_1.jpg&quot; style=&quot;margin-top:1em; margin-left:1em; margin-bottom:1em;&quot; alt=&quot;Morrissey Rock Never Dies (1)&quot;/&gt;
&lt;/div&gt;
&lt;p&gt;The &lt;a href=&quot;morrissey_news&quot;&gt;News&lt;/a&gt; section features news relating to Morrissey.&lt;/p&gt;
&lt;p&gt;For more news, please see &lt;a href=&quot;archive_of_morrissey_news&quot;&gt;Archives: News&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Photo:&lt;/strong&gt; Rome, December 2005: Jed Weitzman (of Sanctuary Management) and Morrissey&lt;br /&gt;
&lt;a href=&quot;/files/pictures/jed_and_morrissey_2.jpg&quot;&gt;View a larger version&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Photo:&lt;/strong&gt; Morrissey in Rome&lt;br /&gt;
&lt;a href=&quot;/files/pictures/morrissey_rock_never_dies_2.jpg&quot;&gt;View a larger version&lt;/a&gt;&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Mon, 14 Nov 2005 10:24:50 -0600</pubDate>
</item>
<item>
 <title>Bona Drag: 20th Anniversary vinyl and CD editions release information</title>
 <link>http://true-to-you.net/morrissey_news_100712_01</link>
 <description>&lt;p&gt;&lt;em&gt;12 July 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;To celebrate its 20th Anniversary, on 27th September, EMI will release through the resurrected 1960s Major Minor label, with Morrissey&#039;s full cooperation, a remastered Special Edition of &lt;em&gt;Bona Drag&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Originally released to much acclaim in October 1990, &lt;em&gt;Bona Drag&lt;/em&gt; perfectly captures Morrissey&#039;s effortless transition in becoming a solo artist. It brings together his exceptional first seven singles, four of which went Top 10: his triumphant Top 5 debut, &quot;Suedehead&quot;; the anthemic, apocalyptic lament to wet seaside towns, &quot;Everyday Is Like Sunday&quot;; &quot;The Last Of The Famous International Playboys&quot;; and &quot;Interesting Drug&quot;. The Top 20s &quot;Ouija Board, Ouija Board&quot;, &quot;November Spawned A Monster&quot;, and &quot;Piccadilly Palare&quot; and a selection of high quality b-sides from the singles complete the album.&lt;/p&gt;
&lt;p&gt;The compilation has now been remastered and overseen by Morrissey, and is updated with the addition of six previously unreleased and much coveted songs from the era:&lt;/p&gt;
&lt;p&gt;-	&quot;Happy Lovers At Last United&quot;&lt;br /&gt;
	(Outtake from &quot;Sunday&quot; sessions)&lt;/p&gt;
&lt;p&gt;- 	&quot;Lifeguard On Duty&quot;&lt;br /&gt;
	(Outtake from &lt;em&gt;Viva Hate&lt;/em&gt; sessions)&lt;/p&gt;
&lt;p&gt;- 	&quot;Please Help The Cause Against Loneliness&quot; (demo)&lt;br /&gt;
	(Outtake from &lt;em&gt;Viva Hate&lt;/em&gt;, previously covered by Sandie Shaw)&lt;/p&gt;
&lt;p&gt;- 	&quot;Oh Phoney&quot;&lt;br /&gt;
	(Outtake from &lt;em&gt;Bona Drag&lt;/em&gt; sessions) &lt;/p&gt;
&lt;p&gt;- 	&quot;The Bed Took Fire&quot; (early version of &quot;At Amber&quot;)&lt;/p&gt;
&lt;p&gt;-	&quot;Let The Right One Slip In&quot; (alternate long mix)&lt;/p&gt;
&lt;p&gt;Directing the artwork for the reissue, Morrissey has chosen to return the cover art - taken from the &quot;November&quot; video - back to its natural colour, so his shirt is black. In addition, he has also decided to update the back and inner artwork with a selection of favourite, hand-picked and rarely-seen photos. &lt;/p&gt;
&lt;p&gt;The LP version will be a double heavyweight 180g vinyl, housed in a wide-spine sleeve with a pull-out poster. The CD will be housed in a gatefold, card sleeve with an eight-page booklet, which will contain the aforementioned photos.&lt;/p&gt;
&lt;p&gt;Major Minor Records was started by Radio Caroline manager Phil Solomon. Its truly eclectic roster of artists and singles releases makes it a perfect home for Morrissey. These include such esteemed and high-watermark pop classics as:&lt;/p&gt;
&lt;p&gt;David McWilliams - Days Of Pearly Spencer&lt;br /&gt;
Jane Birkin and Serge Gainsbourg - Je t&#039;aime... moi non plus&lt;br /&gt;
Them - Gloria&lt;br /&gt;
Tommy James and The Shondells - I Think We&#039;re Alone Now &amp;amp; Mony Mony&lt;br /&gt;
Taste - Blister On The Moon&lt;br /&gt;
July - My Clown&lt;br /&gt;
Frazer Hines - Who&#039;s Dr. Who?&lt;br /&gt;
Malcolm Roberts - May I Have The Next Dream With You&lt;br /&gt;
Isley Brothers - It&#039;s Your Thing&lt;br /&gt;
Karen Young – Nobody&#039;s Child&lt;br /&gt;
The Dubliners - Seven Drunken Nights&lt;/p&gt;
&lt;p&gt;This will be the first release on the label since 1970.&lt;/p&gt;
&lt;p&gt;There will be more Morrissey news to come in the next month. &lt;/p&gt;
&lt;p&gt;&lt;em&gt;Bona Drag&lt;/em&gt; tracklisting (running order subject to change):&lt;/p&gt;
&lt;p&gt;1.	Piccadilly Palare&lt;br /&gt;
2.	Interesting Drug&lt;br /&gt;
3.	November Spawned A Monster&lt;br /&gt;
4.	Will Never Marry&lt;br /&gt;
5.	Such A Little Thing Makes Such A Big Difference&lt;br /&gt;
6.	The Last Of The Famous International Playboys&lt;br /&gt;
7.	Ouija Board, Ouija Board&lt;br /&gt;
8.	Hairdresser On Fire&lt;br /&gt;
9.	Everyday Is Like Sunday&lt;br /&gt;
10.	He Knows I&#039;d Love To See Him&lt;br /&gt;
11.	Yes, I Am Blind&lt;br /&gt;
12.	Lucky Lisp&lt;br /&gt;
13.	Suedehead&lt;br /&gt;
14.	Disappointed&lt;br /&gt;
15.	Happy Lovers At Last United (&lt;em&gt;Previously unreleased&lt;/em&gt;)&lt;br /&gt;
16.	Lifeguard On Duty (&lt;em&gt;Previously unreleased&lt;/em&gt;)&lt;br /&gt;
17.	Please Help The Cause Against Loneliness (&lt;em&gt;Previously unreleased&lt;/em&gt;)&lt;br /&gt;
18.	Oh Phoney (&lt;em&gt;Previously unreleased&lt;/em&gt;)&lt;br /&gt;
19.	The Bed Took Fire (&lt;em&gt;Previously unreleased&lt;/em&gt;)&lt;br /&gt;
20.	Let The Right One Slip In (&lt;em&gt;Alternate long mix, previously unreleased&lt;/em&gt;) &lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <pubDate>Mon, 12 Jul 2010 14:30:57 -0500</pubDate>
</item>
<item>
 <title>Photograph of Rick Astley and Morrissey</title>
 <link>http://true-to-you.net/morrissey_news_100708_01</link>
 <description>&lt;div&gt;
&lt;img src=&quot;/files/pictures/rick_astley_and_morrissey_at_top_of_the_pops_1.jpg&quot; style= &quot;margin-top:1em; margin-left:1em; margin-bottom:1em;&quot; alt=&quot;Rick Astley and Morrissey At Top Of The Pops (1)&quot;/&gt;
&lt;/div&gt;
&lt;p&gt;&lt;em&gt;8 July 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;photograph of Rick Astley and Morrissey taken backstage at Top Of The Pops in London, February 1989. Morrissey&#039;s &quot;The Last Of The Famous International Playboys&quot; and Rick&#039;s &quot;Hold Me In Your Arms&quot; were released on the same day, and both charted on their first week of release.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;/files/pictures/rick_astley_and_morrissey_at_top_of_the_pops_2.jpg&quot;&gt;View a larger version&lt;/a&gt;&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <pubDate>Thu, 08 Jul 2010 14:08:45 -0500</pubDate>
</item>
<item>
 <title>Morrissey&#039;s summer 2004 Glastonbury Festival set is one of BBC 6 Music&#039;s Top 20 Glastonbury performances</title>
 <link>http://true-to-you.net/morrissey_news_100626_01</link>
 <description>&lt;p&gt;&lt;em&gt;26 June 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey&#039;s summer 2004 Glastonbury Festival set is one of BBC 6 Music&#039;s Top 20 Glastonbury performances since the festival was launched in 1970.  Listeners voted for the Top 20 from a shortlist compiled by BBC 6 Music.  The full Top 20 list is available at &lt;a href=&quot;http://www.bbc.co.uk/pressoffice/pressreleases/stories/2010/06_june/24/glastonbury.shtml&quot;&gt;www.bbc.co.uk/pressoffice/&lt;/a&gt;.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <category domain="http://true-to-you.net/awards_and_honors_received_by_morrissey">Awards And Other Honors</category>
 <pubDate>Sat, 26 Jun 2010 22:30:06 -0500</pubDate>
</item>
<item>
 <title>BBC to announce top three favorites in Rock &#039;N&#039; Roll Band polls during upcoming show; voting is still open [updated]</title>
 <link>http://true-to-you.net/morrissey_news_100529_01</link>
 <description>&lt;p&gt;&lt;em&gt;29 May 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;According to a BBC press release, the sixth episode of &lt;em&gt;I&#039;m In A Rock &#039;N&#039; Roll Band&lt;/em&gt; will be broadcast on Saturday, 5 June, at 10 p.m. on BBC Two, and will announce the top three favorites in each of the online polls for the series.&lt;/p&gt;
&lt;p&gt;As previously posted, the polls include a best singers poll, in which Morrissey is one of the 10 singers shortlisted, and a best bands poll, in which the Smiths are one of the 10 bands shortlisted. &lt;/p&gt;
&lt;p&gt;Voting is still open at the BBC website.&lt;/p&gt;
&lt;p&gt;Please visit &lt;a href=&quot;http://www.bbc.co.uk/radio2/rocknrollband/singers/&quot;&gt;www.bbc.co.uk/rocknrollband/singers/&lt;/a&gt; for details of how to vote for Morrissey, and &lt;a href=&quot;http://www.bbc.co.uk/radio2/rocknrollband/best-band/&quot;&gt;www.bbc.co.uk/rocknrollband/best-band/&lt;/a&gt; for details of how to vote for the Smiths.&lt;/p&gt;
&lt;p&gt;Update: Please note that online voting will close on Thursday, 3 June, at 1:30 a.m. (BST).&lt;/p&gt;
&lt;p&gt;The sixth episode of the series will also invite viewers to vote by telephone for favorites in each of the poll categories.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <category domain="http://true-to-you.net/awards_and_honors_received_by_morrissey">Awards And Other Honors</category>
 <pubDate>Sat, 29 May 2010 22:00:18 -0500</pubDate>
</item>
<item>
 <title>Morrissey&#039;s birthday</title>
 <link>http://true-to-you.net/morrissey_news_100522_01</link>
 <description>&lt;p&gt;&lt;em&gt;22 May 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey is 51 today.  Happy Birthday, Morrissey!&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Sat, 22 May 2010 02:56:10 -0500</pubDate>
</item>
<item>
 <title>Morrissey and the Smiths are shortlisted in polls for the BBC series I&#039;m In A Rock &#039;N&#039; Roll Band; voting is now open </title>
 <link>http://true-to-you.net/morrissey_news_100502_01</link>
 <description>&lt;p&gt;&lt;em&gt;2 May 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey is one of the 10 singers shortlisted in the best singers poll for the new BBC Two series &lt;em&gt;I&#039;m In A Rock &#039;N&#039; Roll Band&lt;/em&gt;.  The Smiths are one of the 10 bands shortlisted in the best bands poll for the same series.  The BBC compiled the shortlists with the help of a panel of 19 BBC Radio DJs.&lt;/p&gt;
&lt;p&gt;Voting is now open at the BBC website.&lt;/p&gt;
&lt;p&gt;Please visit &lt;a href=&quot;http://www.bbc.co.uk/radio2/rocknrollband/singers/&quot;&gt;www.bbc.co.uk/rocknrollband/singers/&lt;/a&gt; for details of how to vote for Morrissey, and &lt;a href=&quot;http://www.bbc.co.uk/radio2/rocknrollband/best-band/&quot;&gt;www.bbc.co.uk/rocknrollband/best-band/&lt;/a&gt; for details of how to vote for the Smiths.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <category domain="http://true-to-you.net/awards_and_honors_received_by_morrissey">Awards And Other Honors</category>
 <pubDate>Sun, 02 May 2010 22:59:33 -0500</pubDate>
</item>
<item>
 <title>Statement from Morrissey</title>
 <link>http://true-to-you.net/morrissey_news_100430_01</link>
 <description>&lt;p&gt;&lt;em&gt;30 April 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Statement from Morrissey&lt;/p&gt;
&lt;p&gt;My trusted ally Janice Long has passed news on to me of the sudden death of Melinda Hsu.  I did not know Melinda personally, but I felt as if I did because she had been a front row fixture for many years.  In fact, from her many letters and gifts I understood her name to be Mel Torment, or even, when she felt at her most pernickety, Smel - which I&#039;m certain was not her given name.  Mel was a smiling face who lent strength to every single concert, even when events were going somewhat pear-shaped.  I felt as if I knew Mel because she was always there - regardless of wherever &#039;there&#039; happened to be; no snowbound landscape too far, no off-the-beaten track too untrekkable.  I often handed her the microphone mid-concert and she would always make an effort to say something different each time.  What is more, she always seemed so happy to be there on the front row, even though she had heard these live renditions enough times to emaciate the brain of the most inherently decent devotee.  However, she was booed by the audience once - in Killarney, when she asked (via microphone) with a tone of disbelief &quot;why Killarney?&quot; but I don&#039;t think she meant the contorted snootiness assessed by the rest of the audience because she was not that type.&lt;br /&gt;
Those who travel from concert to concert as Mel did possibly don&#039;t realize the contribution they make.  They are as much a part of the night as I am, but I sometimes feel embarrassed because I think they are asking for more than there is, and, mustily, I can&#039;t give it.  The goat-like vocals and the tipsy monologues are all that I am.&lt;br /&gt;
Mel had passed a note to me at Pomona saying that it would be her final concert of the tour.  Yet, hours later, in another venue, there she was again.  Even after all she had done, even after all the money she had spent and the millions of miles she had hiked she still could not keep away from the squeeze and bend of yet another version of &quot;First of the gang to die&quot; - never imagining, I&#039;m sure, that it is she who would be the first.  As ever delighted and content at Ventura (where we gave our final bow), I cannot imagine whatever it was that Mel believed she saw or felt as she fixed upon the stage night after night, year after year.&lt;br /&gt;
Her contribution was a declaration of love for which she seemed to save all of her strength, and for which I could only ever repay with half-witted mumbles of thanks.&lt;/p&gt;
&lt;p&gt;The only way to deal with Mel&#039;s death is to accept it.  There is no other way.  We all have a certain unbreakable appointment and we are all helpless targets in that regard.  Life&#039;s only promise is its final deadline.  When Mel, and others who are dear to us, depart, we should at least realize as we shuffle along living our small and persecuted lives, how absolutely ridiculous it is to be afraid of anything or anyone on this unhappy planet.  Most people are standardized and unoriginal, which is useful, because it makes the Mels of the world stand out even more.  Rich in ideas, her self-made calendars and t-shirts were always very funny.  You will catch up with her in the afterlife, where I&#039;m sure she will be as creative and busy and as Mel Torment as ever.&lt;/p&gt;
&lt;p&gt;Thank you to Julia at True-to-you for printing this.&lt;/p&gt;
&lt;p&gt;MORRISSEY&lt;br /&gt;
France, april 2010.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Fri, 30 Apr 2010 16:00:13 -0500</pubDate>
</item>
<item>
 <title>Photograph of Morrissey, Ben Batt, Rebecca Atkinson, Alice Barry </title>
 <link>http://true-to-you.net/morrissey_news_100408_01</link>
 <description>&lt;div&gt;
&lt;img src=&quot;/files/pictures/morrissey_batt_atkinson_barry_1.jpg&quot; style= &quot;margin-top:1em; margin-left:1em; margin-bottom:1em;&quot; alt=&quot;Morrissey, Batt, Atkinson, Barry (1)&quot;/&gt;
&lt;/div&gt;
&lt;p&gt;&lt;em&gt;8 April 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;photograph of Morrissey surrounded by his friends from his favorite television program SHAMELESS.  left to right are Ben Batt, Rebecca Atkinson, Alice Barry.   photographer is Shirlaine Forrest.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;/files/pictures/morrissey_batt_atkinson_barry_2.jpg&quot;&gt;View a larger version&lt;/a&gt;&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Thu, 08 Apr 2010 10:38:04 -0500</pubDate>
</item>
<item>
 <title>Essay by Morrissey published in Tate St Ives book </title>
 <link>http://true-to-you.net/morrissey_news_100315_01</link>
 <description>&lt;p&gt;&lt;em&gt;15 March 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;An essay by Morrissey, titled &quot;The Bleak Moor Lies,&quot; was published in the Tate St Ives book &lt;em&gt;The Dark Monarch: Magic And Modernity In British Art&lt;/em&gt; in 2009.  The book notes that the essay is taken from Morrissey&#039;s forthcoming autobiography.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Tue, 16 Mar 2010 07:59:08 -0500</pubDate>
</item>
<item>
 <title>Morrissey interviews Linder Sterling </title>
 <link>http://true-to-you.net/morrissey_news_100315_02</link>
 <description>&lt;p&gt;&lt;em&gt;15 March 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey has interviewed Linder Sterling for &lt;em&gt;Interview&lt;/em&gt; magazine.  The issue is available this month.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Mon, 15 Mar 2010 22:59:30 -0500</pubDate>
</item>
<item>
 <title>Statement from Morrissey</title>
 <link>http://true-to-you.net/morrissey_news_100106_01</link>
 <description>&lt;p&gt;&lt;em&gt;6 January 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Statement from Morrissey:&lt;/p&gt;
&lt;p&gt;Following consultation with my lawyers, I wish it to be known that I have terminated with immediate effect my association with Front Line Management (Irving Azoff, Andy Gould and Lil Gary), who no longer have any rights to issue any statements on my behalf.  I would also like to stress that I have no association with accountants appointed by Front Line, namely London &amp;amp; Co.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <pubDate>Wed, 06 Jan 2010 13:22:21 -0600</pubDate>
</item>
<item>
 <title>I&#039;m Throwing My Arms Around Paris is one of BBC 6 Music&#039;s Top 40 tracks of 2009</title>
 <link>http://true-to-you.net/morrissey_news_100101_01</link>
 <description>&lt;p&gt;&lt;em&gt;1 January 2010&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey&#039;s recent single &quot;I&#039;m Throwing My Arms Around Paris&quot; is at #4 in the BBC 6 Music list of the 40 best tracks of 2009.  Listeners voted for the Top 40 from a shortlist of 100.  The full Top 40 list is available at &lt;a href=&quot;http://www.bbc.co.uk/6music/events/top40/&quot;&gt;www.bbc.co.uk/6music/events/top40/&lt;/a&gt;.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <category domain="http://true-to-you.net/awards_and_honors_received_by_morrissey">Awards And Other Honors</category>
 <pubDate>Sat, 02 Jan 2010 01:59:38 -0600</pubDate>
</item>
<item>
 <title>Statement from Morrissey to True-to-you</title>
 <link>http://true-to-you.net/morrissey_news_091216_01</link>
 <description>&lt;p&gt;&lt;em&gt;16 December 2009&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Statement from Morrissey to True-to-you&lt;/p&gt;
&lt;p&gt;On these last days of the old year, I thank everyone who attended the 2009 concerts.&lt;br /&gt;
My personal favorites were:&lt;/p&gt;
&lt;p&gt;1 Dublin&lt;br /&gt;
2 Dusseldorf&lt;br /&gt;
3 Munich&lt;br /&gt;
4 Pomona&lt;br /&gt;
5 Warsaw&lt;/p&gt;
&lt;p&gt;The three Brixton concerts were dramatic and perfect for me, and there was a great air of adventure in both Estonia and Latvia.  The Russian concerts were a big thrill, but in the absence of even a speckle of publicity .. it&#039;s difficult.  You begin to feel as if you&#039;re playing to a private club - and, in fact, you are.  We pondered on the massive poster-campaigns for others and we wondered how such things become possible. The audiences in Russia were loud and greatly inspiring.&lt;br /&gt;
Hope denied in Liverpool, and the physical limits were tipped in Swindon – these were life&#039;s unfortunate lows.&lt;br /&gt;
I spent the night at the Great Western Hospital in Swindon where the staff restored my faith in humanity.  I had no idea such kindness existed.&lt;br /&gt;
There were more stop-start-trap-doors and cancellations this year than ever before, and it&#039;s difficult to keep your mental balance and to remain unclouded at such times.  Since every living person appeared to have some strain of flu, there seemed no reason why I should escape it, and I could not listen to medical advice that cautioned me to stand back from the audience and not to shake anyone&#039;s hand.  &lt;em&gt;Life has come to this?&lt;/em&gt; By tours&#039; end I had no face worth rearranging.&lt;/p&gt;
&lt;p&gt;The landscape of familiar faces who have replaced the Irregular Regulars, and who attend as many of the concerts as possible, continue to astound me.  I don&#039;t know how – or even why – they attend so many.  It is remarkable, and the financial costs must wipe them out for good.  I am repeatedly honored and speechless by their dedication.&lt;br /&gt;
There are no 2010 plans to fire me out of a cannon.  Hopes of concerts in New Zealand and Australia collapsed under a mound of doubts.  That&#039;s life.&lt;br /&gt;
Even though you see the death of culture all around you, you also want to raise whatever it is you do to a higher plane, yet there is no one, it seems, who can inch the Morrissey thing forwards.  As we all now know, the world of music is &lt;em&gt;purely&lt;/em&gt; market-driven – not even &lt;em&gt;youth&lt;/em&gt;-driven anymore.  Talent or merit or songs do not enter the equation for a split second; the campaign is the thing, the campaign is what is discussed amongst the public, the campaign is what impresses the press, and the songs are &lt;em&gt;never&lt;/em&gt; a factor. The labels will only push the &quot;artists&quot; that they themselves have discovered, and have no interest in the self-made, blah, blah. But my parting with Universal is not a negative.  I am sorry that &quot;Swords&quot; was such a meek disaster.  It was proposed and accepted as a budget-priced CD, yet emerged everywhere as the most expensive CD in the racks.  It was poorly distributed and didn&#039;t stand a chance, and ranks as the lowest chart position I&#039;ve ever encountered.  I remain steadfastly proud of &quot;Years of refusal&quot;, which along with &quot;You are the quarry&quot; and &quot;Ringleader of the tormentors&quot; are my life&#039;s peaks.  These three will allow me to die in peace.  I am no longer in the thrall of anything that preceded them; the past is not me.&lt;br /&gt;
I was delighted at the radio airplay in England for &quot;I&#039;m throwing my arms around Paris&quot;, which seemed to match both &quot;Suedehead&quot; and &quot;That&#039;s how people grow up&quot; singles for rotation.&lt;br /&gt;
However, &quot;I&#039;m throwing my arms around Paris&quot; did not chart in France! ... but everything has its time and place... &lt;/p&gt;
&lt;p&gt;What does the future hold?  What does the next minute hold?  It all rests as ever on determination – that which springs from somewhere deeper than the body.  Record label interest is zero, but the sun will creep back into the room one way or another. It always does.&lt;/p&gt;
&lt;p&gt;Small and bowed, I offer you my eternal thanks, and my hopes for a steady 2010, full of good grace and no darkness.&lt;/p&gt;
&lt;p&gt;MORRISSEY&lt;br /&gt;
London, December 2009.    &lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_releases">Releases</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <pubDate>Wed, 16 Dec 2009 03:46:15 -0600</pubDate>
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<item>
 <title>Morrissey on Lopez Tonight</title>
 <link>http://true-to-you.net/morrissey_news_091209_01</link>
 <description>&lt;p&gt;&lt;em&gt;9 December 2009&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Morrissey will be the musical guest on &lt;em&gt;Lopez Tonight&lt;/em&gt; on Wednesday, December 9th.&lt;/p&gt;
</description>
 <category domain="http://true-to-you.net/morrissey_news">News</category>
 <category domain="http://true-to-you.net/morrissey_events">Events</category>
 <pubDate>Wed, 09 Dec 2009 11:43:32 -0600</pubDate>
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