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Photo: Rome, December 2005: Jed Weitzman (of Sanctuary Management) and Morrissey
Photo: Morrissey in Rome
Surely how I feel is not nothing?
16 April 2013
Surely how I feel is not nothing?
by Morrissey, 15 april 2013
I have listened and I have seen a lack of truth that we had dared not believe existed in modern Britain. Margaret Thatcher has left the order of the world, and she is not to blame for the reports of her own death - reports so dangerously biased and full of intolerant menace that we now wonder how we can possibly believe anything that has ever been recorded in British history books. The coverage by the British media of Thatcher's death has been exclusively absorbed in Thatcher's canonization to such a censorial degree that we suddenly see the modern British establishment as an uncivilized entity of delusion, giving the cold shoulder to truth, and offering indescribable disgust to anyone unimpressed by Thatcher. Even to contest Thatcher's worth is termed "anarchist", and this source of insanity - intolerant of debate, is spearheaded by the BBC reporting not on how things actually are on British streets, but on how they would prefer things to be. For those of us who survived despite Thatcherism, and who recall Thatcher as a living hell, The Daily Mail and The Guardian have a steadfast message for us: You are nothing. Our thoughts are further burdened by the taunting extravagance of Thatcher's funeral; the ceremonial lavish, the military salute, stripping Thatcher's victims of everything, and rubbing salt in wounds with teasing relish. It is all happening against us. In thought, we have killed Thatcher off a million times, but now that we have the reality of her death, the Metropolitan Police have set up new laws against us, and within paragraphs of law, we are not allowed to register our feelings so that anyone might overhear them. Echoes of Libya? Echoes of any Middle Eastern patch whose troubles are thought too uncivilized for a democratic England where chivalrous respect is afforded to "freedom", and where we are all servile to "democracy." It is, of course, The Big Lie. The fact that there will be such an enormous police presence at Thatcher's funeral is evidence that her name is synonymous with trouble - a trouble she brought on herself. No one wished for it, or brought it to her, yet she created her subtle form of anarchy nonetheless. BBC News will scantily report on anti-Thatcher demonstrations as if those taking part aren't real people. Lordly scorn is shown towards North Korea and Syria, and any distant country ruled by tyrannical means, yet the British government employs similar dictatorship tactics in order to protect their own arrogant interests. There will be no search for true wisdom this week, as the BBC gleefully report how Ding Dong the witch is dead "failed to reach number 1", and they repeat the word "failed" four times within the brief report, and a shivering sovereign darkness clouds England - such identifications known only in China. There will be no report as to how "the British people have succeeded in downloading Ding dong the witch is dead to number 2", and we are engulfed in Third Reich maneuvers as BBC Radio assume the role of sensible adult, finger-wagging at that naughty public who must not be allowed to hear the song that they have elected to number 2. By banning Ding dong the witch is dead (and only allowing four seconds of a song is, in fact, a ban) the BBC are effectively admitting that the witch in question can only possibly be Margaret Thatcher (and not Margaret Hamilton), even though Thatcher isn't mentioned in the song, which is in fact a harmless, children's song written over 70 years ago. Whilst the BBC tut-tut-tutted a polite disapproval at the Russian government for sending a "feminist punk" band to prison for recording an anti-government song, they engage in identical intolerance against Ding dong the witch is dead without a second's hesitation. Thatcher's funeral will be paid for by the public - who have not been asked if they object to paying, yet the public will be barred from attending. In their place, the cast are symbols of withering - as old as their prejudices, adroit at hiding Thatcher's disasters. Ancestry and posterity, trimmed with pageantry, will block out anyone with a gripe. David Cameron will cling to Thatcher as she clung to the Malvinas, each in their last-ditch efforts to survive obscurity. Cameron achieves his own conclusions without any regard for the appalling social record of The Thatcher Destroyer - the protestors outside are simply not being British, or, even worse, are probably from Liverpool. When Cameron talks he is simply speaking his part, but he is adamant that the scorn Thatcher poured onto others should not be returned to her. Her mourning family must have considerations that were never shown to the families of the Hillsborough victims, and although Thatcher willingly played her part in the Hillsborough cover-up, let's not go into all that now. Instead we're asked to show respect for a Prime Minister whose own Cabinet were her rivals. Thatcher's death gives added height to David Cameron (a Prime Minister who wasn't actually voted in by the British people, yet there he is – reminding us all of our manners), and he does not understand how the best reason for doing something is because there's nothing in it for you. The words of Cameron are assumed to have weight, yet his personal gain is the only reason why he speaks those words. Cameron tells us that the British people loved Thatcher, but we are all aware that Sunningdale and Chelsea are his Britain; he does not mean the people of Salford or Stockton-on-Tees, who are, in any case, somewhere north of Lord's Cricket Ground. Can the BBC possibly interview someone with no careerist gain attached to their dribble? No. On the day that nine British citizens are arrested in Trafalgar Square for voicing their objections to the Baroness, the BBC News instead offer their opening platform to Carol Thatcher, a dumped non-star of I'm a celebrity get me out of here, and to Sir Mark Thatcher (Sir!), unseen since the disgrace of his involvement in selling arms to countries at odds with Britain (magically, he avoided a 15-year prison term and was financially bailed out by his mother - her moral conscience nowhere in sight as Sir Mark patriotically took his 64 million and fled to Gibraltar having been refused entry to Switzerland and Monaco. What kind of mother raised such a son?) Both Mark and Carol get the BBC spotlight because they mourn their mother's death, whilst those honest civilians who mourn Thatcher's life are shunted out of view. This is how we see Syrian TV operate, and this is most certainly NOT a week when David Cameron will advise: "hug a hoodie." Whilst the quite astonishing social phenomenon of Ding Dong the witch is dead is ignored by the television news, instead we are shown an eight-minute clip of Psy, a funny little South Korean singer who is making all British newsreaders laugh with his funny little new video. Today, news items from South Korea, Belgium and China get precedence over homeland news of anti-Thatcher protests in Trafalgar Square, and the meaningless banality of Modern Media Britain casts a shameful shadow. Repeated and repeated, words strengthen. The truth sleeps as the heartlessness of Thatcher is re-written as a strength, for it was not exclusively because Thatcher destroyed the miners or murdered the boys of The Belgrano that we feel rage, but it was the lip-smacking relish with which she did both, and with which she sent armies of police to batter anyone who opposed her view. Gaddafi did the same thing in the same way. Thatcher could never show sympathy, or empathy, or understanding to those from whom David Cameron is now demanding a show of civil respect for a woman who, like Myra Hindley, proved to all of us that the female could be just as cruel as the male. By 1990 Thatcher was the gift that not even her own Cabinet wanted, and she was tufted out of office. How could such a catastrophic end warrant a statue in Trafalgar Square? Revenge was the vital juice of every move made by Thatcher, and her results produced the most dis-United Kingdom ever seen in history. Although Thatcher was never flesh, her demeanor took on an incurably demented sadness, and her broadcasting tones registered madness … as Britain burned. From all of this we see, in this April week of 2013, that modern media reporting in Britain is a disturbing fog of taboos and prejudices, reviving the divisions that Thatcher hatched, whilst hiding her horrors. Even in death, Thatcher remains 'the enemy within.'
And the truth sleeps.
Margaret Thatcher
9 April 2013
Margaret Thatcher
The difficulty with giving a comment on Margaret Thatcher's death to the British tabloids is that, no matter how calmly and measuredly you speak, the comment must be reported as an "outburst" or an "explosive attack" if your view is not pro-establishment. If you reference "the Malvinas", it will be switched to "the Falklands", and your "Thatcher" will be softened to a "Maggie." This is generally how things are structured in a non-democratic society. Thatcher's name must be protected not because of all the wrong that she had done, but because the people around her allowed her to do it, and therefore any criticism of Thatcher throws a dangerously absurd light on the entire machinery of British politics. Thatcher was not a strong or formidable leader. She simply did not give a shit about people, and this coarseness has been neatly transformed into bravery by the British press who are attempting to re-write history in order to protect patriotism. As a result, any opposing view is stifled or ridiculed, whereas we must all endure the obligatory praise for Thatcher from David Cameron without any suggestion from the BBC that his praise just might be an outburst of pro-Thatcher extremism from someone whose praise might possibly protect his own current interests. The fact that Thatcher ignited the British public into street-riots, violent demonstrations and a social disorder previously unseen in British history is completely ignored by David Cameron in 2013. In truth, of course, no British politician has ever been more despised by the British people than Margaret Thatcher. Thatcher's funeral on Wednesday will be heavily policed for fear that the British tax-payer will want to finally express their view of Thatcher. They are certain to be tear-gassed out of sight by the police.
United Kingdom? Syria? China? What's the difference?
Morrissey
9 April 2013
The Last Of The Famous International Playboys and Kill Uncle: Remastered single and album released today in the UK
8 April 2013
"The Last Of The Famous International Playboys" and Kill Uncle: Remastered single and album released today in the UK
Remastered editions of Morrissey's "The Last Of The Famous International Playboys" and Kill Uncle are released today by EMI UK. The single and the album are available now at online music stores and other retailers.
"The Last Of The Famous International Playboys" is on CD single, 7" picture disc vinyl single, and digital download formats. All three formats of the single are backed with recent Morrissey radio sessions: "Action Is My Middle Name (BBC live version)", "People Are The Same Everywhere (BBC live version)", and "The Kid's A Looker (BBC live version)", which were recorded exclusively for the Janice Long Show on Radio 2 on 15th June 2011.
Kill Uncle is on gatefold CD, heavyweight gatefold vinyl LP, and digital download formats. The album has a reordered tracklisting, with the addition of the songs "Pashernate Love" and "East West" (a Herman's Hermits cover), and with the "live in the studio" version of "There's A Place In Hell For Me And My Friends".
The single and the album feature new artwork.
"The Last Of The Famous International Playboys" CD single tracklisting:
"The Last Of The Famous International Playboys"
"Action Is My Middle Name (BBC live version)"
"The Last Of The Famous International Playboys" 7" picture disc vinyl single tracklisting:
"The Last Of The Famous International Playboys"
"People Are The Same Everywhere (BBC live version)"
"The Last Of The Famous International Playboys" digital download tracklisting:
"The Last Of The Famous International Playboys"
"The Kid's A Looker (BBC live version)"
Kill Uncle album tracklisting:
"Our Frank"
"Sing Your Life"
"Mute Witness"
"King Leer"
"Asian Rut"
"Pashernate Love"
"East West"
"Found Found Found"
"Driving Your Girlfriend Home"
"The Harsh Truth Of The Camera Eye"
"There's A Place In Hell For Me And My Friends"
"(I'm) The End Of The Family Line"
Photos:
"The Last Of The Famous International Playboys" CD single artwork
"The Last Of The Famous International Playboys" 7" picture disc vinyl single artwork
"The Last Of The Famous International Playboys" digital single artwork
Kill Uncle album artwork
June and July
30 March 2013
June and July
Morrissey is scheduled to play shows in seven cities in Mexico in June, rounding-off at the National Auditorium in Mexico City. Morrissey will also appear on two national television shows. The dates in Mexico will be followed by concerts in Brazil, Argentina, Peru and Chile. Details will be announced shortly.
Morrissey has declined to take part in two upcoming British television documentaries on the Smiths.
The Last Of The Famous International Playboys and Kill Uncle: Remastered single and album can now be pre-ordered
27 March 2013
"The Last Of The Famous International Playboys" and Kill Uncle: Remastered single and album can now be pre-ordered
The upcoming remastered editions of Morrissey's "The Last Of The Famous International Playboys" and Kill Uncle, which EMI UK will issue on 8th April, can now be pre-ordered from online music stores and other retailers.
"The Last Of The Famous International Playboys" is on CD single, 7" picture disc vinyl single, and digital download formats. All three formats of the single are backed with recent Morrissey radio sessions: "Action Is My Middle Name (BBC live version)", "People Are The Same Everywhere (BBC live version)", and "The Kid's A Looker (BBC live version)", which were recorded exclusively for the Janice Long Show on Radio 2 on 15th June 2011.
Kill Uncle is on gatefold CD, heavyweight gatefold vinyl LP, and digital download formats. The album has a reordered tracklisting, with the addition of the songs "Pashernate Love" and "East West" (a Herman's Hermits cover), and with the "live in the studio" version of "There's A Place In Hell For Me And My Friends".
The single and the album feature new artwork.
"The Last Of The Famous International Playboys" CD single tracklisting:
"The Last Of The Famous International Playboys"
"Action Is My Middle Name (BBC live version)"
"The Last Of The Famous International Playboys" 7" picture disc vinyl single tracklisting:
"The Last Of The Famous International Playboys"
"People Are The Same Everywhere (BBC live version)"
"The Last Of The Famous International Playboys" digital download tracklisting:
"The Last Of The Famous International Playboys"
"The Kid's A Looker (BBC live version)"
Kill Uncle album tracklisting:
"Our Frank"
"Sing Your Life"
"Mute Witness"
"King Leer"
"Asian Rut"
"Pashernate Love"
"East West"
"Found Found Found"
"Driving Your Girlfriend Home"
"The Harsh Truth Of The Camera Eye"
"There's A Place In Hell For Me And My Friends (live in the studio version)"
"(I'm) The End Of The Family Line"
Photos:
"The Last Of The Famous International Playboys" CD single artwork
"The Last Of The Famous International Playboys" 7" picture disc vinyl single artwork
"The Last Of The Famous International Playboys" digital single artwork
Kill Uncle album artwork
U.S. tour
16 March 2013
U.S. tour
There are no plans to continue with the present U.S. tour due to Morrissey's ongoing medical problems, and dates will not be rescheduled. Morrissey is bitterly disappointed with this decision and he apologizes to everyone who has been inconvenienced.
"It takes a lifetime to find the right words, and at the moment, I haven't got them. I've been a colossal pain where this continuously unpredictable illness is concerned, and now the physical limits have been reached. The tour had, in fact, been fantastic for all of us - a new slice of life full of concentrated power. The audiences everywhere have given so much, although I know that neither of us will ever receive our due. I hope this isn't the end, and I hope there will be other chances, minus the heavy burden of illness. Knots of grief today, but full of resolve for tomorrow." Morrissey, Mexico, 16 March.
Margaret Dale
13 March 2013
Margaret Dale
I did not know Margaret on a personal level, but she was always there on the front row - the UK, the US, Israel - wherever we'd go, she'd go. Last week Margaret drove behind the tour bus all the way from Davis to Seattle, and managed to get onstage at Davis. I had signed her arm and it was now a tattoo. This week she is dead. I can only hope, for Margaret, that death yields the profit of rest, and somehow provides her with a listener. We all weary of living in the same skin day after day, in a world where only the blandly trivial are allowed to be heard, but there is nothing wrong with taking your destiny into your own hands, just as there is nothing wrong in understanding what is meant for you and what isn't. We are plonked into life without ever choosing to be, and we are despised if we fail to find a paralyzed spot in which to keep still and shut up. Margaret was a woman of action, who now knows the soul of the world.
Meanwhile, on today's AOL News Page, headlines tell us that Victoria Beckham has reportedly dropped her "fake" look, and William and Kate are in search of yet another home - the constitutional frigidity of a media world now openly obsessed with zombies and morons.
Rest well, Margaret.
Morrissey
Mexico
13 March 2013
Update March 10
10 March 2013
Update March 10
Morrissey is presently being treated in San Francisco for "double pneumonia", but remains on course to headline the Vive Latino festival in Mexico City on March 14. Morrissey's show at the Regency Ballroom in San Francisco will now take place on May 1. His show at Washington's National Theater for April 5 has sold out within eight seconds.
Morrissey has apologized for the "extreme and silly" venue security at Portland's Arlene Schnitzer Theater during his show there (March 8), commenting: "place an obese McDonalds fry-girl into a venue security uniform and she is suddenly Eva Braun."



